Welcome to the
rebellious blog of an obsessively overly perfectionistic
artist, who is compelled to create and occasionally write about the proccess.
Do
artists really have to be crazy to create? Perhaps
not, but the water is warm, so dive in and find out!
RSS
Feed
"Be
a good craftsman; it won't stop you being a genius." - Auguste Renoir
12/31/2006
The Me-Me-Mating Dance
song du jour: Desperate but not Serious, Adam Ant
mood: slightly bored
Why is it that so very many men, when confronted with whatever curve meets their fancy, cease any indication of social skills and begin blathering on about their work, latest projects, latest ideas/obsession, wealth, or whatever they deem to be success as if they were offering up a slab of gazelle to a female in the sad hope of clothing removal? I'm no longer merely a single woman at parties or in the grocery store. I'm a working anthropologist, detachedly observing the tedious awkward strutting about of a large scale hominid-bird, who has just spied 2" of cleavage.
Why is it that so many men believe that if they talk about themselves incessantly, it will get them some nooky? I've come up with only two answers. One possible answer is that complete lack of awareness is an inevitable result of all the blood running out of the upper brain and into the lower one, a theory backed up by more than one woman's assessment of her lover's (or lovers') performance. The other answer is this ritual has worked in the past.
Contemplating the first reason, certainly not all men behave this way. My guy friends don't, and given that they are usually confronted with that same 2" of cleavage, I have some proof that men do have some sort of system in place for making sure enough blood stays in the upper brain for them to remain highly intelligent beings WITH social skills. Most of my male friends are married or in partnerships, and whether I know their female partners or have become friends with them through those partners, these guys are some of my most favorite people with whom I giddily look forward to having amazing conversations about books and ideas. Why? They are exceedingly bright people, who grasp the power of the word dialogue. I'm also quite certain that these men did not initially win over their mates by performing the Me-Me-Mating dance.
Regarding the second reason, that women respond favorably to such egotism is a sad reality, and I confess here and now that the slightly more subtle forms of me-me-me have been disguised in just enough charm to catch my attention for a time because I've long been aware that such boasting is an indication in this culture that a guy is interested, but ultimately I get bored (and frustrated) waiting for that time when just a little bit of the deal will be about me.
Usually we find enough characteristics we like to overlook the obvious. More often than not, when we discover there is no room for our own interests, values, work, etc., we hold onto those good qualities like a loosening lifeline in fear that there won't be anyone else. Unfortunately, giving into the attention of a guy, who thinks the world exists primarily for his attempts at success in it, sends a message that a partner too is willing to rotate around that axis. I believe we call this patriarchy.
So why is that I find myself witnessing verbal equivalents of wing flapping and chest beating so frequently now? Has it always been this way in my dating life, or is this what's left of the single males at my age? I try remembering back to my 20's, and the picture does come up, occasionally, of me wide-eyed and smiling until my face ached, and saying, "oh...uh huh... how interesting..." but perhaps only on half my first dates at most. Now it seems endless be the single males 25 or 55. I'm wondering if times changed so much during my married years, or, keenly aware that I have so much fun living the creative life and fearing time will run out before I learn to speak French fluently, use half the pack ratted art supplies in my studio, or ever attempt learning to play the piano again, I have lost all tolerance for men, who are dumb enough to think they can get me into bed by talking endlessly about themselves.
A good salsa partner will start out slowly, assessing what his partner knows, likes, and can do well. It is his job to frame her, and though he might, much later on in the dance, share with her moves he knows that she does not, it will be for the expansion of the dance NOT to boss her around, ONLY if he knows well the woman's required footwork, and always with the goal of making her look and feel good about where this vertical expression is headed. I think I danced with someone like this once.
A friend of mine, who recently witnessed a me-me-mating dance performed on my behalf, later stated brilliantly that what works best is when a man looks to the woman to discover "what the dance is" and then dances this dance, with the man's powerful masculine agency still fully intact. Straight single men, that, as Harry Conick Jr. would say, is "The Recipe for Makin' Love."
12:24 PM
-
permanent
link   email
this entry to a friend
4 comments
|
Subscribe
to
Victoria
Lansford dot com
for
gallery updates & workshop info
New
Work
Undulation
IV
Gazing
Landscape
of My Dreams II
Crescents
& Starlight X
Instructional
DVDs
Fellow Artists & Writers
Nanz
Aalund
Dan
Alison
Nick
Bantock
Because
I Said So
Helen
Blythe-Hart
Clear
Vision Studio
C4Chaos
Hannah
Dallman
Matthew
Dallman
Ganoksin
The
Ghosts Project
Alex
Grey
Jackson
Fish Market
Gene
McDevitt
Paul
Mercer
Metalcyberspace
Dana
Jung Munson
Lionessroars,
Willow Pearson
Polysemy
My Students' Websites
Lisa
Gallagher
Tom
Kellen
Theresa
St. Romain
Susan
Saul
Lisa
Winn
Resources & Suppliers
Gene
McDevitt's Opals
Invitastic
Jazz
24 (always
playing my studio)
Jewelry
Resource Supply
SparkleSparkle
& Firescoff
They're
Beautiful
Food for Thought
Egyptology
News
Typetalk.com
(MBTI info)
Sage
Visit crafthaus
Archives
August
2007
July
2007
June
2007
May
2007
April
2007
March
2007
February
2007
January
2007
December
2006
November
2006
October
2006
September
2006
August
2006 July
2006
|
