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Hints for
Photographing Metal |
These hints are designed to help increase the likelihood
of artwork being accepted and to encourage the use of
fabulous looking photographs wherever anyone promotes
their art. The tips range from beginner to advanced, but
please take time to read through them. Thanks!
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Professional photographs are great but
only if the photographer is used to shooting jewelry
and metalsmithing.
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Your artwork should fill the frame,
but do not crop the images too closely. For the Eastern
Repoussé DVD, all images will be fitted into
the appropriate resolution for television and may require
more background than you would ordinarily leave for
print or web use.
Use a macro lens or macro setting on your camera.
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Work should be shot on a smooth, solid,
contrasting background. Do not use textured backgrounds
(fabric, textured paper, plant material, etc.) unless
you are very experienced at shooting on them and only
if they truly add to the piece and are not distracting.
(Black or other dark foam core works well. Medium gray
is the standard for shooting jewelry, but it is also
really boring on a big screen and in print. Always find
out what a publication prefers. Colored backgrounds
are frowned upon in jurying jewelry and metalwork, but
some publishers prefer them.
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A tripod or some other way to keep the
camera steady can make a big difference in the clarity
of the shot.
Use the timer setting on the camera (or a remote shutter
release if you have one) to prevent accidentally jiggling
the camera when you push the button to shoot.
Please make sure your work is lit appropriately. Do
not use flash because it will create white "hot
spots" on the metal. Lighting should be diffused
to keep hot spots from happening. A great (and cheap)
way to diffuse light is to hold sheets of vellum type
paper between the light source and the artwork. (This
is how I shoot my own work.)
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You may have better luck using manual
settings (but keep auto-focus on) to adjust the ISO
and/or to set the lighting setting to indoor lighting,
which is usually represented by a light bulb icon on
most cameras.
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Consider the overall composition of
the image. In publications, the images may be the only
contact an audience has with your artwork, so the images
must convey the feel of the piece not simply record
it. A photograph should show off your work, but it should
also be interesting. Sometimes it's ok to let the ends
of a chains on a necklace trail off out of the shot
if you are trying to get in close to feature a pendant.
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Shooting from different angles may also
be appropriate as long as the viewer can still "read"
the piece and understand what it is.
Please color correct the image if needed and ensure
there are no scratches or dust on the piece or the background,
however, don't go crazy with editing to the point that
the images look "Photoshopped". Don't use
the auto color correct option on your software as it
is often too high contrast. If you are unsure how to
edit or don't have the software, get help from someone
who does.
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Always look at your photos enlarged
on your monitor before submitting them anywhere! Your
artwork may be stunning, but that one fine dog hair
on the background could look a little scary on someone's
big screen TV. ;-)
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Please note that what makes an image
good for publication is not always the same as what
makes it good for show/exhibition jurying.
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